Most images were taken with Nikon analog stuff (F2, FM2) on film through a super crisp and brilliant 2.0 28 mm Nikkor lens mostly, procured from e-bay.
Slides are vacuumed into the computer by a Minolta slide scanner that makes noises like a roller compactor in the process but amazingly pumps 39 Mpixels per slide into the computer. With those 5400 dpi you can watch bacteria nibbling off the transparencies.
Digital helperers include a Realviz Stitching Machine for the super wide panoramas and some Photoshop massage.
I'm an animation artist.